Before Taking

So what were they taking on Dec. 1st, 1905? I'm assuming that we are looking at five couples, (I've spotted one wedding ring.) who are about to go off on some sort of adventure. Perhaps a trip to a far off city or maybe even Europe. Perhaps they're missionaries headed off to the far east. Maybe it's a trip to one of the health resorts that were quite popular in that era. Maybe they are college students about to take winter finals. Maybe something very simple like a sleigh ride. So many choices, so few clues. Just the way I like it.

The German American Collection, The Broken Ones

It's my preferred practice, when scanning mounted prints, to crop out everything but the actual photograph. Too, I prefer not to impose a symbolic meaning to old, family photos. But in this case, where a dealer went to an estate sale and bought up boxes of old photos that no one was willing to save from the prying eyes of strangers, it only seems right that there should be some damage to things. Take a good look at the child on the left in the final print. I'm convinced that's a little boy in the dress. What were they playing? Peter Pan? Click on German American in the labels section to bring up the rest of the collection.

A Nineteenth Century Wedding

EBay can be an expensive way to collect old photos. Believe me, I've found that out the hard way. But, if you're willing to spend time scrolling through page after page of old photos, from time to time something interesting and affordable will come up. I hadn't really been looking for cabinet cards, but there they were. Nine, starting price of 99 cents, two bucks for shipping and not a single bid. Anyway, this was one of the ones I liked for a rather perverse reason. I'm a big believer that as photographic technique improved over the years, so did the subject's relationship to the camera. Stiff and formal was the standard, lively with a sense of movement a rarity. It took decades for the people being photographed to learn to relax and show some humanity. I'm fascinated that these people looked so stark on the big day. There is a studio mark embossed on the card, "D. A. Frommeyer -HANOVER, PA-" All I could dig up on Mr. Frommeyer is that he had a studio in Hanover from 1886 to 1911.

Carte de Visite/Ohio

Well, I haven't put up a carte de visite for awhile so I thought I'd put these two up. Other than that they are both from Ohio, they aren't related in anyway. The profile has a studio mark on the back, "Geo R. Elliott, S.W. Corner High and Town Streets. Columbus, Ohio" And written, "Julianne Elizabeth Anthony (Mother)" Elliott was born in 1837 and had a studio in Columbus from 1870-86. A photographer for hire, his specialty was stereoscopic views. In 1886 he became the employee of James Madison Elliott, presumably a relative, who in addition to being a photographer was also a painter and crayon artist. Neither man was a great talent, but they made a living at it. On the mother/daughter portrait (I'm guessing), written on the back, "Jennie E. & Bell M. Norris, Stryker, Ohio" Stryker is in the northwest corner of the state, near the Michigan border. Click on either cdv or carte de visite in the labels section to see a lot more. The carte de visite was an early attempt at a standardized photographic format. They were small albumen prints mounted on a card, approximately 2.5x4.25 inches. While some people did in fact use them as visiting cards, they were usually given as keepsakes to friends and family. In the 1860s and 70s, the term cartomania was used to describe the craze for collecting as many cartes de visite as possible. Kind of like friending as many people as possible on Facebook.

Betty in the Center

This one falls in the "I wish it were in better condition" category. Is the girl in the center the self assured child of the family, or the immigrant maid of a nice middle class household? With her hands on her hips, staring into the camera lens, she has an air of confidence that things are going to go her way in life. If it wasn't for the apron, I'd go with family member. Written on the back, "left on face, Mrs. Clark Grandma, right on face, Mrs. Welkman Aunt Hanna, Betty in center & Norman on steps." Mounted on cardboard. Written on the front bottom margin, "Mrs. Clark, Rita, Mrs. Welkman." So which is it, Betty or Rita?

Alfalfa, Sr. Cabinet Card

I dare anyone to tell me that this guy doesn't look like Alfalfa from The Little Rascals. All that's missing is the cow lick and a few freckles. This card was probably made in the nineteenth century, so it is possible that this man could be an ancestor of little Al. Nice tie, too.

Mrs. Nancy A. Larkins

I wish this one was in better shape. The lady is beautiful. Written in pencil on the back, "Mrs. Nancy A. Larkins, Browns to right of market. 6x8 = Blk frame no 100, New Silver-oval or square which ever will show best. Dec. 19-250 No 136." Stamped in red ink, "DEC 1, 1904" Mounted on card, there is an embossed studio mark, but the name of the photographer has worn to the point of being unreadable. I can make out Blairsville, PA, though.

Two Girls, One Boy

My best guess is that this picture was taken in the late nineteenth to early twentieth century and what a future these children would face. Let's assume that these three kids are children of an American middle class. All children of the poor and working classes were raised to eventually make a living, but for the middle class and the wealthy, girls were raised to make a marriage. They would have been given an education that would have given them a certain amount of charm, wit, and grace. Perhaps it would have included a women's college, perhaps not. Boys would have been raised to their father's business, a true career, and membership in an appropriate club. But things change. These three would have faced World War 1, a flu pandemic that may have killed as many as 100,000,000 people in eighteen months. Then the roaring twenties, probably the period of greatest social change in the last 100 years. Then the great depression, 30 % unemployment at a time when most women didn't work which probably would translate into 50 % unemployment by today's standards. Then World War 2, and if these three kids were born no earlier than the 1890s, there was a decent chance that, at the least, they lived to see Korea and the beginning of Vietnam. May you live in interesting times.

Marie and Malcolm Carskadden

An albumen print, mounted on a card, "Marie and Malcolm Carskadden" written on the back. I did a search on both Marie and Malcolm Carskadden and couldn't find a thing.

What Makes a Great Cabinet Card Part 2?

Yesterday I asked the question, with millions to choose from, what makes a great cabinet card. Well, here is an example. The photographer, M.J. Streuser from Bellevue, Iowa had a great eye for composition, the subject matter, a group of guys out having a good time, the sense of movement one gets from Arnie brandishing his club. Wow. I feed the name M.J. Streuser into Google, not expecting much, and found another example of his work on the Cowan Auctions site, of a photographer and his assistant posing with their wares. Probably a self portrait and it was wonderful too. I really recommend that others visit and take a look. The very first post I put up on this blog was a group of prints I made from a set of glass negs, all from the same photographer, and the thought of picking up more Streuser prints, well it's the same. Written on the back, "Arnie, Geo. Zentiner, Frank Kegles, Charles Hartley, Ed Kamp, Phil, Joe Brandt, From one of Arnie's birthdays." Go punch in M.J. Streuser into Google before the Cowan Auctions site takes down the cabinet card I mentioned, and please use the archives section to the right to navigate back to Montana Glass Negatives, pubished on June 9. 2009.

Cabinet Card-Two Children

Two little girls? Very likely, but not a sure thing. There was a custom among the upper classes of the nineteenth century of keeping little boys in dresses and long hair until they were three or four years old. Then it was knee pants, and not until a certain age, long trousers.

Clearfield Cabinet Card

When I first started collecting old photos, my main emphasis was on old. The older the better. While I still look for interesting cabinet cards, carte de visites, and tintypes, as well as more modern studio shots, press photos, and postcards, my focus has shifted to snapshots from the twentieth century. This is one of my first purchases. Clearfield, the county seat of Clearfield County is in central Pennsylvania, about a two hour drive from my home town. Nothing on the back of the card.

A Little Girl From Altoona

I'm in a cabinet card kind of mood. The cabinet card like the carte de visite was an early attempt to come up with a standardized format. Cabinet cards were approximately 4.25x6.5 inches. The back of this card was textured and I had to use the descreen setting on the scanner to get rid of the Newton rings. Altoona is a small city in west central Pennsylvania.

A Carte de Visite Album 4

Done! I manged to get every image from this album scanned into the computer without damaging a thing. Only one of the images has an exposed back that also has information on it. Printed on the back of the third single image of a woman, "Bogardus, Photographer, 363 Broadway Cor. Franklin St." There's more, very likely a Scranton address, but I'd have to take the cdv out of the page and I don't want to risk any damage. There are three non photographic bits of ephemera in the album. In the nineteenth century women routinely died in childbirth and the child mortality rate was around 30%. People had a tendency to be very sentimental about women and small children, and it shows in the pictures that the owner of this album chose to put in her album, and while I don't know for sure, I think that touch points to a woman owner. Perhaps she had lost a child. To see this album in order, navigate back to part one and go through the posts in order.

A Carte de Visite Album 3

Rather than taking a break and posting something from another source, just for a bit of variety, I think I'm going to go straight through and put this album up in four contiguous posts. As usual, if more than one photo is on a page, I'll put up the whole page to show position and then the individual image. I've also put up one of the damaged pages. Note that the back of one of the cards is visible, which gives an idea of how much of the background is lost when the carte de visite is inserted into the page. The first image of the bearded man, on the back of the card, "Schurch's PHOTOGRAPHIC STUDIO, Cor. Penn Avenue and Spruce Street, SCRANTON, PENNA." The man with the mustache, bow tie and the noticeable stains on the print, "E. P. Kellogg, Photographer, 279 MAIN STREET, HARTFORD, CONN."

A Carte de Visite Album 2

Continuing with the carte de visite album. Most of these either are in the album, back to back or have no studio identification. The two children with the hand colored sashes, "Coatsworth, Photographer, Opposite Wyoming House, Scranton." That's Scranton, Pennsylvania in the Wyoming river valley. And the final child, "R. D. PALMER, PHOTOGRAPHER And Portrait Painter, Huron Street, East of Cook's Hotel, Ann Arbor, Mich." In the first post from this album, I speculated that this family might have moved from Scranton to Sioux City, Iowa, but another explanation is an extended family with branches here and there around the country. Or at least the states that had been admitted by the end of the civil war. Click on the woman with the braids. Didi she make a necklace from her hair.