The German American Collection, The Album 7

I think they must be bird watchers. Click on German-American in the labels section at the bottom of the post to bring up the whole collection. Too, click on album to bring up a number of other photo albums.

The German American Collection, A Couple of Older Ones

I started this blog to impose a certain amount of organization on a growing collection. In the past couple of months I've made my bank roll even smaller with the purchase of archival storage materials. One of the first acid free boxes I purchased was for the German-American collection, and because it has been out of sight it's also been a bit out of mind. So, it's time to put up a few more posts. To recap, a dealer had purchased an estate, sold some of the photos separately, then broke up what was left into several lots and put them up for sale on line. I got one of the lots and because it's so broken up, I'm putting them up in a catch as can manner. When I get to it, I get to it. And remember, click on German-American in the labels section to bring up the whole lot.

The German American Collection, The Broken Ones

It's my preferred practice, when scanning mounted prints, to crop out everything but the actual photograph. Too, I prefer not to impose a symbolic meaning to old, family photos. But in this case, where a dealer went to an estate sale and bought up boxes of old photos that no one was willing to save from the prying eyes of strangers, it only seems right that there should be some damage to things. Take a good look at the child on the left in the final print. I'm convinced that's a little boy in the dress. What were they playing? Peter Pan? Click on German American in the labels section to bring up the rest of the collection.

A Nineteenth Century Wedding

EBay can be an expensive way to collect old photos. Believe me, I've found that out the hard way. But, if you're willing to spend time scrolling through page after page of old photos, from time to time something interesting and affordable will come up. I hadn't really been looking for cabinet cards, but there they were. Nine, starting price of 99 cents, two bucks for shipping and not a single bid. Anyway, this was one of the ones I liked for a rather perverse reason. I'm a big believer that as photographic technique improved over the years, so did the subject's relationship to the camera. Stiff and formal was the standard, lively with a sense of movement a rarity. It took decades for the people being photographed to learn to relax and show some humanity. I'm fascinated that these people looked so stark on the big day. There is a studio mark embossed on the card, "D. A. Frommeyer -HANOVER, PA-" All I could dig up on Mr. Frommeyer is that he had a studio in Hanover from 1886 to 1911.

Danger

So what's dangerous about this woman? Well, nothing actually. When I logged onto Blogger this morning I made the mistake of clicking on the tab to try the new interface. Got a notice that my current browser didn't support the new interface. I followed their advice and downloaded Google Chrome, and still got the same notice. Had to go to the library, wait for a computer to open up, go to blogger to hit the tab to go back to the old interface. Oh how I hate computers!

Carte de Visite/Ohio

Well, I haven't put up a carte de visite for awhile so I thought I'd put these two up. Other than that they are both from Ohio, they aren't related in anyway. The profile has a studio mark on the back, "Geo R. Elliott, S.W. Corner High and Town Streets. Columbus, Ohio" And written, "Julianne Elizabeth Anthony (Mother)" Elliott was born in 1837 and had a studio in Columbus from 1870-86. A photographer for hire, his specialty was stereoscopic views. In 1886 he became the employee of James Madison Elliott, presumably a relative, who in addition to being a photographer was also a painter and crayon artist. Neither man was a great talent, but they made a living at it. On the mother/daughter portrait (I'm guessing), written on the back, "Jennie E. & Bell M. Norris, Stryker, Ohio" Stryker is in the northwest corner of the state, near the Michigan border. Click on either cdv or carte de visite in the labels section to see a lot more. The carte de visite was an early attempt at a standardized photographic format. They were small albumen prints mounted on a card, approximately 2.5x4.25 inches. While some people did in fact use them as visiting cards, they were usually given as keepsakes to friends and family. In the 1860s and 70s, the term cartomania was used to describe the craze for collecting as many cartes de visite as possible. Kind of like friending as many people as possible on Facebook.

Alfalfa, Sr. Cabinet Card

I dare anyone to tell me that this guy doesn't look like Alfalfa from The Little Rascals. All that's missing is the cow lick and a few freckles. This card was probably made in the nineteenth century, so it is possible that this man could be an ancestor of little Al. Nice tie, too.

Mrs. Nancy A. Larkins

I wish this one was in better shape. The lady is beautiful. Written in pencil on the back, "Mrs. Nancy A. Larkins, Browns to right of market. 6x8 = Blk frame no 100, New Silver-oval or square which ever will show best. Dec. 19-250 No 136." Stamped in red ink, "DEC 1, 1904" Mounted on card, there is an embossed studio mark, but the name of the photographer has worn to the point of being unreadable. I can make out Blairsville, PA, though.

Making the Unnatural Look Natural

Isn't that what photography is about? Black & white, static poses, selective focus, glossy surfaces. Making something unnatural represent the real world in a way that people see as real life. No one has skin tones like the lady in this photo, but a good colorist can make his subject seem, not just beautiful but warm and inviting. Written on the back, "mail with bell."

The German American Collection, The Wedding Picture

Again, I bought the butt end of an estate collection. A dealer had sold a number of photos individually, and then put everything else on-line in a couple of lots. This was the one I was able to get. Because it's all such a mish-mash, I'm putting things up when I get around to it with no real time table. Basically, when it gets done, it gets done. This photo, and what's left of an old photo album which is a long way from being posted, is why I'm calling it the German American collection. Stamped on the back, "Photohaus Karl Borft, Hieben, Bahnhofftr. 63" Well, my German is pretty bad and some of the letters were in the old style, Gothic script, which I often find confusing, but here goes. Photohaus is pretty obvious, so let's say Karl Borft's photo studio. I know that banhof is a station, so I'm guessing that the added tr. makes it a train station. I am confused about hieben though. I ran it through Google translate and got "cut down" and that makes no sense to me whatsoever. I hope this couple got out of Germany before the 1930's. Click on German American in the labels section to get the other parts that are available for viewing.

Columbus

I run across these strip photographs from time to time and if anyone out there knows, are they made in camera or in the darkroom? Stamped on the back, "SCHREICK'S "CUTE" PHOTO STUDIO 202 1/2 N. High Street, COLUMBUS, -OHIO. DEC. 12, 1911" Hand written. "Oscar Krustf " Schreick's Photo Studio was founded by Frank X. Schreick in 1902 and remained open to 1979.

Two Couples From Youngstown, Ohio

All I know about this photo is that it's from Youngstown, Ohio and it's from the nineteenth century. Youngstown was a mill city on the Mahoning River, and while the wealthy of Youngstown couldn't compare to the rich from Pittsburgh or Cleveland, one could do well there. For a nice color postcard of boaters on the Mahoning River, go back to my post, Newton Falls, Ohio published on 5/3/11.

The German Couple

I almost didn't put up this nice studio portrait because of the prints textured surface. I had to use the descreen setting on the scanner, losing some of the sharpness. So, why is that I have so many pictures from Germany? Is it just a coincidence, or did German immigrants to the United States treasure their photographs more than immigrants from other countries? A question that will never be answered. Stamped on the back, "Foto Dickopf, das Fachgeschaft in Siegburg." I think that means Photos by Dickopf, at the department store in Siegburg. Any German speakers out there, please feel free to correct my translation.

We Will Never Say Goodbye in Heaven

Well, I know how it was done. The printer wrote his message on a clear piece of film, sandwiched it on the bottom of the negative. The ink, probably black, then printed white. What I don't know is why he made some of his N's backwards. Click on the image to see it in a bigger window, if necessary. Printed on postcard stock. What a way to announce that Uncle Harry had kicked the bucket.

What Makes a Great Cabinet Card Part 2?

Yesterday I asked the question, with millions to choose from, what makes a great cabinet card. Well, here is an example. The photographer, M.J. Streuser from Bellevue, Iowa had a great eye for composition, the subject matter, a group of guys out having a good time, the sense of movement one gets from Arnie brandishing his club. Wow. I feed the name M.J. Streuser into Google, not expecting much, and found another example of his work on the Cowan Auctions site, of a photographer and his assistant posing with their wares. Probably a self portrait and it was wonderful too. I really recommend that others visit and take a look. The very first post I put up on this blog was a group of prints I made from a set of glass negs, all from the same photographer, and the thought of picking up more Streuser prints, well it's the same. Written on the back, "Arnie, Geo. Zentiner, Frank Kegles, Charles Hartley, Ed Kamp, Phil, Joe Brandt, From one of Arnie's birthdays." Go punch in M.J. Streuser into Google before the Cowan Auctions site takes down the cabinet card I mentioned, and please use the archives section to the right to navigate back to Montana Glass Negatives, pubished on June 9. 2009.

What Makes a Great Cabinet Card?

There are millions of cabinet cards out there, so why buy one over another? A great pose, interesting face, unique clothing or a particular skill on the part of the photographer are all great reasons to buy an image. Sometimes, as was the case with this card, it's the back. I saw all of the medals and assumed that photographer Dabbs was a multi award winner, but when I got home and looked at them with a lens, I was a bit surprised. Three are identical logos for The Pennsylvania State Agricultural Society, three are basically advertising marks, a couple of things in Latin that could be anything and one, and only one, award medallion. Well, I guess that means that false advertising is nothing new. It reminds me of the old story of how P.T. Barnum got people to move out of his venues. He put up big signs that said "This way to the Egress." Egress is just a fancy way of saying, this way out.

Dot Wenzel, World's Smallest Entertainer

In 1950, Dot Wenzel married Don Williams and began performing under the name Dottie Williams. Dot and Don were both members of Nate Eagle's Hollywood Midget Movie Stars troupe. She was a singer and dancer, billed as The Miniature Rita Hayworth. I did a search on IMDB, and couldn't find a single screen credit for either Dot Wenzel or Dottie Williams. If there are any recordings of her I'd love to hear them. Printed on postcard stock.

Mrs. Arciaga

What's the difference between an original and a reproduction in a medium that's designed to be endlessly reproducible? Most art dealers would say that a photograph printed after the death of the photographer is a reproduction, but if the photographer didn't do his own printing, is there really a difference? A first, second, and in many cases a third generation copy negative will be almost indistinguishable from the camera original. The original of this image would have been a black & white photograph that had been hand tinted to add color. Judging by the condition and dried tape on the back of this print, it's very old, but it's printed on color paper. Some time in the past, probably at least forty or fifty years ago, someone wanted a copy of this image, so they went to a photo lab, had a color copy neg and print made. Written on the back, Mrs. M Arciaga, 573-18th, San Pedro, Cal."

Automotive Tintye

This one is a bit of a rarity. The tintype was first described in 1853, and quickly, at least in the United States, became a huge commercial success. It was the first really cheap photographic medium and allowed ordinary people to have portraits made. Too, because most tintypes were small, because they were very durable, they could be carried around and mailed to family and friends with out having to put them in hard, protective cases. But, the tintype began to loose it's popularity by the late 1870's. The carte de visite and cabinet card, both of which had the advantage of being reproducible, took over the market. Of course, some tintypists continued to practice their trade. This tintype of five people sitting in a car was probably taken in the first decade of the twentieth century.

Rifle

If there's one thing I've learned in collecting old photographs it's that there is never a shortage of military themed photos. No later than the World War 1 era, maybe the Spanish American War.