Old Man

Another image from my days at the photo lab. This print was hand printed, by me, from an old, 19th century glass negative. As I've noted in some previous posts, while it was possible to buy commercially manufactured glass plates, many photographers made their own. Click on the image to open it in a bigger window, and water stains from either the making or processing of the negative can be seen as a streak across the subjects face. Too, the photographers finger print can be seen in the lower right corner. The one question; was the photographer an amateur, or some small town professional with a home made camera.

Another Studio Portrait

Well, I'm on a roll here. Just like my last post, a studio portrait of a woman, most likely from the mid to late twenties to the early thirties. No name or studio mark.

A Studio Portrait

My guess, from the hair style and what little I can see of the clothes, that this studio portrait was shot somewhere from the early to mid twenties to the early thirties. A black and white photo, properly processed can last well over 100 years. I have glass negatives and tintypes in my collection that are as good as the day they were made. As photography moves further into the digital age, I have to wonder if we are beginning an age were our photographic heritage will survive. Computers crash, discs degrade and color prints fade quickly.

To Miss Nellie Baker of Clinton, Maine From California

What I'd do to see the letter that accompanied these photos, when mailed, from the San Francisco Bay area to Clinton, Maine. All we know for sure is that someone mailed these photos from somewhere in California on June 23, 1908, that it was then relayed from the San Francisco post office on June 28, 1908, and arrived at Clinton, Maine on July 4, 1908. (TheClinton post mark is on the back of the envelope.) This is where the fun comes in from collecting old photos. While we can't know things for sure, we can speculate, logically. There are two probable scenarios here. The first is that Nellie Baker's friend was on a trip to California. The second, and more likely, is that her friend moved to the bay area. Are the photos of the school house, children, and library work places for Nellie's friend, or is she ( I'd bet money that we are dealing with a woman.) trying to brag to her friend that in California, we've got better schools, libraries, churches, and houses than you do, back home, in Clinton. The picture of the men in the boat, leads me to think that this family didn't live in San Francisco, but the head of the house commuted, by water, to the city. East bay, maybe Oakland, or perhaps from Marin? I think there is a good chance that the church and possibly the old school house are still standing, so if anyone out there recognizes them, please leave a comment.

What Dealers Do, A Boy and His Bra

Another example of how antique dealers destroy collections. According to the seller, this is a self portrait, from the 1940's, of a young man named Eddie Harbaugh. It seems that Eddie was a photography mad young man who had no one to pose for him, so he made up an album of self portraits. This is a tiny print, only 1 1/2 x 1 7/8s inches in size. I never saw the whole album, but at that size, there may have been hundreds of separate images, and if Eddie was willing to take a picture of himself in a bra, who knows what a treasure that album was. Sadly, we'll never know, since the dealer tore it apart, and sold the photos separately.

French Tanks

I know a lot about black & white printing processes, color printing, and color transparencies. This sort of thing, not so much. I think, and I encourage anyone who can either verify or contradict that opinion to do so, that this is a rotogravure. I'm also going on guess work as to the source of this image. Marked "U.S. OFFICIAL" and "SIGNAL CORPS U.S.A." on the front, it is my opinion that these are press release photos used to publicize the first world war. President Woodrow Wilson was so committed to a total war effort, that even the press was conscripted into the fight. Captioned "French tanks ("Chars d"Assault") moving to the support of French troops operating on the left of the 32d Div., Aug.29, 1918."

Bal Tabarin, San Francisco

Yet another in my collection of night club souvenir photos, though this one is a bit more interesting, historically. The Bal Tabarin was opened in 1931 at 1025 Columbus Avenue in San Francisco, CA by three men; experienced restaurateur, Bob Grison, big band leader, Tom Gerun, and manager, Frank Martinelli. With the end of prohibition nearing, the partners built a club with a performance space, and a sophisticated cocktail lounge atmosphere that was meant to appeal to women as well as men. In addition to Gruen's band, a number of famous acts were booked at the Bal Tabarin, including Sophie Tucker, Tony Martin, the Duncan Sisters, and Spanish puppeteer and ventriloquist, Senor Wences, who, during my childhood, was a frequent guest on the Ed Sullivan Show. Tap dancer Ann Miller, at thirteen, lied about her age and began her career at the club, spotted by Hollywood talent scouts, and Bal Tabarin patron Lucille Ball, she was signed to a studio contract. (Anyone wishing to see Miller dance, should watch On The Town.) Bal Tabarin was very successful through the war years As the club lost business, after the war, it was sold, in 1950, and was renamed Bimbo's 365, becoming a major jazz venue. Where I need some help on this post is info about the photograph. Labeled, "Our ASA dinner, at Bal Tabarin, July 6, 1944." I've done a number of Internet searches trying to identify ASA, and while I've come up with a number of possibilities, (The military does love it's acronyms.) I believe the most likely candidate is ASA radar, a long range search radar, used by the navy in it's patrol planes and ships. The women all have anchors on the lapels of their uniforms, identifying them as WAVES. But, what would these women have to do with ASA radar? Women were not allowed in combat during the war. It's possible that they could have operated land based radar stations. It's also possible that they could be repair technicians or analysts of some kind. In any case, I can't be sure, and if anyone out there can set me straight, please do so. Please notice that the rest of the club seems to be empty, so this might have been a private dinner party. And finally, the gentleman is a puppeteer, just like Senor Wences. All the photos I've been able to find of him are from the Ed Sullivan Show era, but it''s the same facial structure. Printed on the inside front cover of the photo folder, "We sincerely hope you have enjoyed your evening at the Bal Tabarin...Your Hosts TOM GERUN, FRANK MARTINELLI." On the back cover, "For additional prints write to Hollywood Nite Club Photos. PICTURES ARE $1.25 EACH. PRICE INCLUDES TAX AND MAILING CHARGES. Be certain to mention BAL TABARIN, this number, 23, and date, JUL 6, 1944. 6304 Riley Way, Carthay Circle Theatre Bldg., Los Angeles, Calif. WAlnut 9880."