Good Times In The Great Depression, The Town & Country Album 2

This is part two of two. Navigate back one post to see the entire album in order. Part two expands things from guests to staff. When I purchased this small album, some of the photos were missing. The seller told me that he hadn't removed any of the photos, and since some of the photos were loose and falling out, that's very possible. Of the loose images, only a few had any information written on the back. The staff photo of the women standing on the steps, written on the back, "Marty Wilson" Could be the same Martha Wilson, the presumed owner of the album. The interesting question is why the owner would have to label her own picture. The final two pictures in the album, the woman holding her folding Kodak camera is dated, "Sun. Sept. 2, 34." I think that it's likely that the young woman is Martha Wilson. The Johnston's ad on the inside of the back cover was under the last photo. I was hoping that I could get a location after a little research into company, but was unable to find any information on the actual business, but I did find a Johnston's ad on an online auction sight that listed locations in New York, Chicago, Milwaukee, Minneapolis, and Oakland.

Good Times In The Great Depression, The Town & Country Album 1

This is part one of two. When two photos are on the same page, I'll show the whole page to show position. When there is only one photo per page it will be scanned in as a single image. This album is dated 1934, during the great depression. By 1934, the absolute worst of the depression had passed and things were starting to turn around. At it's nadir, there was around 30% unemployment, and at a time when the majority of women didn't work, that probably actually translated to around half of the American population out of work. But no matter how hard things get, there are always some people who do well. This small album shows some of those lucky ones for whom the good life of the roaring twenties never ended. A country club, or a rural resort? Whatever the location, these people were having a good time. Written on the inside front page of the album, "Martha Wilson" Written on the margin of the first photo, "Poppy Day"

Brazzaville

How were the European colonial powers able to conquer millions of people with so few troops? I suspect this postcard from French Congo, also known as Brazzaville, was meant to be comic. The type at the bottom of the card roughly translates as Congolese in city clothes and would allow the French recipient of this card to laugh at the natives trying to look European. The reality is that the European powers occupied much of the third world by seeking out native allies, usually playing off a favored tribal, religious, or ethnic group against those considered traditional rivals. While these men may have been servants, or models dressed up for the camera, it's also possible that they were some of the local collaborators used to subdue the majority of the native population. While the British and the French were masters at using locals to control, and when necessary, slaughter native populations, it was across the river from Brazzaville in the Belgian Congo where slaughter was at it's most destructive. Leopold II, the second king of Belgium, unable to interest his own government in taking African colonies, established a private company, The International African Society, with himself as the head and sole owner, to subdue the Congo region as a private colony. At first, Leopold's interest was ivory. When that proved less profitable than expected, his interest moved to rubber. Using both European and native troops, Leopold took native women for forced prostitution, cut off the right hands of workers unable to meet quotas, and killed people in the millions. Low estimates run from several million to as high as fifteen million. Ten million dead is a probable best estimate. Eventually the Congo Free State became an embarrassment and Leopold was forced to relinquish control to the Belgian government. All this from a postcard? Researching an image can lead in many directions. Phototypie, in the type on the front side of the card is the French translation of collotype, a mechanical photographic process that allowed for the mass production of black & white prints. I assume that Meyrignac and Puydebois were the publishers of the card. Brive is a town in France. On the back, "La correspondance au recto n'est pas acceptee par tous les pays etrangers. (Se renseigner a la Poste.)" translates to Correspondence on the front is not accepted by all foreign countries. (Inquire at the post.) At least that's how I think it translates.

Baseball

It's raining in Los Angeles. A massive storm is blowing in from the Pacific northwest and if forecasts hold, the snow level may drop down to 500 feet and fall in the San Fernando Valley. San Fransisco 7, Arizona 6 in Cactus League play. Spring season games have begun.

See My Dress...

....or is it the shoes we're supposed to notice. And why are the ladies in the second picture so amused?

True Color, Grayscale, and Silvering

Every time I scan in a photograph I have to make a decision whether I should use the grayscale or the true color setting. As a former professional black & white printer, I'm always tempted to go grayscale, but after some thought, I decided that, for this blog, I should do my best to duplicate the look of the original. That would be an easy decision for this image. The original is a mounted albumen print with a rich brown, sepia tone. But with many photographs the choice is far less obvious. Many of the old snapshots I have in the collection are in that zone between a nice black & white photo with blacks, whites, and gray mid-tones, and slightly yellowish-brown tones, caused by a less than successful, final, archival wash. When I worked at photo labs, one of my jobs was operating a copy camera. Sometimes our customers would bring in old family photos, and some of those would be leaching photographic silver and, of course, silver reflects light. When prints aren't washed or fixed properly, over time the residual silver will begin to show on the surface of the print. When making prints from copy negs, if the silvering wasn't too bad, we could always burn in backgrounds or print to a non matching contrast to hide the problem. When scanning a print into a computer the silver can make it almost impossible to get a decent scan. There is a bit of silvering on this print, seen in the uneven tones in the bottom third of the print. Mounted on cardboard, labeled, "Milton Loryea SPOKANE WASH." Written on the back, "Charles Butter."

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Added: Milton Loryea Photo Studio was listed in the Spokane city directory from 1893 to 1909. He and his brother Archie, also a photographer moved to Spokane from San Jose, California in 1892. Archie died in 1900.

Chinatown, Los Angeles

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A color postcard, printed in the front margins, "DETROIT PHOTOGRAPHIC CO., PUBLISHERS." and, "7343. ARE THE POLICE COMING?" The Detroit Photographic Company made it's first appearance in the city registry in 1888. It was a provider of photographic images for advertising and publishing purposes. In 1897, under the leadership of partners, William A. Livingston, Jr., and Edwin H. Husher, the Detroit Photographic Company acquired exclusive North American rights to the photochrom process, a photolithography method that allowed for mass printings of color postcards from original black and white photographs. In 1905, the company changed it's name to the Detroit Publishing Company. For more information on the company's acquisition of the photochrom process go to www.photochrom.com/Detroit.html At http://beinecke.library.yale.edu/digitallibrary/america.html I found an image from the Detroit Photographic Company catalog of children in Chinatown in Los Angeles that seems to be a different angle of the same location. The Detroit Photographic Company declared bankruptcy in 1924 and it's assets were liquidated in 1932.