Showing posts with label hand printed. Show all posts
Showing posts with label hand printed. Show all posts

Monday, February 27, 2012

50,000 + How It All Started












































I just took a quick look at the stats page and noticed that, sometime in the past week or so, I went over 50,000 page views. I have no idea whether that's a big number for a blog like this or not, but when I started this I was lucky to get thirty or forty views a month, so it seems big to me. Anyway, to mark the 50,000 milestone, I thought I would do something I've never done before. I'm repeating myself. These seven images, all hand printed, by me, form the original glass negatives, are the very first photographs I posted on The New Found Photography.


I think it must be the dream of every collector of old photographs to walk into some out of the way junk shop and find a box of photos by an unknown photographer of real talent. I sometimes wonder, if circumstances had been a bit different, if this could have been my discovery. It was back in the good old days when I had a full time job, a decent income, and three weeks of paid vacation a year. I had just finished a backpacking trip in Montana, had cleaned up, packed the car, and was headed home to Los Angeles, when I made an impulse stop at an antique store, well more of a junk shop actually, and found these glass negatives. The owner of the place told me that he once had a crate of images, all from the same source. He thought that there must have been 500 or so, but he had broken up the collection. He had given some of them away, thrown some out, (Not because they were damaged or not very good, but because they were taking up too much space.) and had been selling the rest for a couple of bucks a piece. He had about forty or so left, but for reasons I've never understood, thought credit cards were for suckers, and it was a cash only sale. I bought these seven, got his phone number, and after I got home called him up, and offered to send him a check for the rest, but he said, "Nah, it's too much work."


I wonder what those other negatives might have been like. And I also wonder who took them. Perhaps it was a local professional or maybe an amateur who had a primitive darkroom in the fruit cellar. When I look at the farm photograph, I don't see the mother of the family, so I sometimes speculate that the photographer was a woman. We will never know, and any chance of finding out has, I think, been destroyed by a road side vendor, who thought more highly of telephone poll insulators, old barbed wire, and 50 year old beer bottles than he did of a box of glass negatives, and the unknown photographer who recorded a small, intimate piece of Montana history.

Tuesday, May 3, 2011

Strange Hat, Weird Mustache










A heart shaped hat and a pencil mustache. They must have been quite the couple. Printed on 5x7 inch paper, not a snapshot size, so I'm guessing that pencil mustache guy had a home darkroom.

Friday, August 27, 2010

Old Man


Another image from my days at the photo lab. This print was hand printed, by me, from an old, 19th century glass negative. As I've noted in some previous posts, while it was possible to buy commercially manufactured glass plates, many photographers made their own. Click on the image to open it in a bigger window, and water stains from either the making or processing of the negative can be seen as a streak across the subjects face. Too, the photographers finger print can be seen in the lower right corner. The one question; was the photographer an amateur, or some small town professional with a home made camera.

Monday, July 13, 2009

Canoe From Glass Negatives












I've always thought of myself, not as a photographer, but as a printer. One of the frustrating things about no longer having a job at a photo lab, is not having access to large format enlargers. Like the Montana glass negative photos, (see the first post from this blog, published June 9, 2009.) I made these prints, not by making contacts, but by placing the negatives in an 8x10 enlarger and making blow-ups. Probably shot in the late 19th century, these two images show someone who is very likely using a canoe for recreation.

Tuesday, July 7, 2009

Burlesque Show











I bought these negatives at a thrift shop. They were labeled "burlesque show." Burlesque was more than just strippers. There was also music and comedy. I'm guessing that this performer, with her (his) interaction with the band was probably more of a comedian than stripper. So why the "his" in parenthesis? Take a close look at the picture in the bikini top. That's either a photo of a very boyish looking woman, or a very slim young man.

Friday, June 26, 2009

Bicycle Betty


I bought a packet of negatives advertised as being farm scenes from the 1930's. This is the only image that I was able to print before the lab I was working at went under. The seller was from Iowa, though that doesn't mean that this picture was taken in Iowa. And no, I have no idea what this young ladies name was. Betty just goes well with bicycle.

Tuesday, June 9, 2009

Montana Glass Negatives





































One of the reasons that I hate antique dealers is that they break up collections of photographs to increase their profits. I purchased these images in Montana. It's kind of the dream of all photo collectors to discover a large collection of images from an unknown, though clearly, talented photographer. Looking at this group of images, I think I may have found one, but with only a handful of the negatives still left together, we'll never know. I think the image of the farm family one of the strongest photographs I've ever seen. The portraits of the cowboy and beekeeper are amazing. I showed these to a movie costumer who dated the clothing to the late 19th to early 20th century. Because there is no mother in the farm scene, I think the photographer might have been the mother, making her glass negaties, at home, in the kitchen. Click on images to see them in a larger window.





I used to work in a photo lab where I had access to an 8x10 enlarger. I was able to use it to make high quality blow-ups. These images were made directly from the negatives, rather than copy negs made from contact prints.